First BEASTMILK Releases Finally Coming to the U.S.

To satisfy the rabid demand for BEASTMILK‘s first releases, White Stains on Black Wax and Use Your Deluge, Magic Bullet Records will bring them to the U.S. on October 14, 2014.

Initially issued as a self-released cassette in 2010, which Fenriz of DARKTHRONE praised in his Band Of The Week features, several hundred copies of the White Stains on Black Tape demo tape sold out immediately. The strength of the material on White Stains on Black Tape garnered the attention and appreciation of Finland’s Svart Records, who issued the songs on vinyl in 2011. In the years to follow, the 7” and tape became cult favorites amongst rabid underground music fans.

Use Your Deluge was originally issued as a four-song 7” in 2012. Early discoverers of the EP were treated to the apocalyptic post punk brilliance that the rest of the world would come to clamor for a year later with the band’s Climax LP.

No more getting ripped off on ebay.

BLOODBATH Announce Surprise New Vocalist

Swedish all star death metal band, BLOODBATH, have announced PARADISE LOST‘s Nick Holmes as successor for the vocalist spot left vacant by Mikael Akerfeldt and Peter Tatgren. Their fourth album, Grand Morbid Funeral, comes out on November 18 through Peaceville Records.

Blakkheim (guitar) commented, “Little did I expect to be working with the voice behind the death metal classic Lost Paradise, or the genre defining Gothic, and yet here we are decades later fulfilling another death metal dream. With his sinister and ominous vocal delivery, it’s an absolute pleasure to make Old Nick the bell-ringer in Bloodbath‘s Grand Morbid Funeral!”

Jonas Renkse (bass) commented, “Ever since I got into Lost Paradise back in ’90, Nick Holmes has been one of my favorite growling vocalists out there. He was always audible and articulate but still deep and definitely morbid. It is a great pleasure to work with him some 25 years later after I was introduced to his thunderous roar!”

Can’t wait to hear Nick Holmes do his great death vocals again.

ANAAL NATHRAKH: Taste of Desideratum Released

Birmingham-based extreme metallers and recent Metal Blade signees, ANAAL NATHRAKH, are pleased to infect the masses with their anticipated new full-length October 28, 2014. Titled Desideratum, the follow-up to 2012′s critically-lauded Vanitas full-length was again produced by guitarist/bassist/programmer Mick Kenney, with vocals recorded at Necrodeath Studios in Birmingham, while the music was tracked and mixed at The Black Flamingo in Orange County, California.

Check out the song, “Idol,” which is a bit laid back by ANAAL NATHRAKH standards:

Stream the New ABYSMAL DAWN Song “Inanimate”

The new song from LA death metallers, ABYSMAL DAWN, is now online for streaming.  Check out “Inanimate“:

“I’m very happy to present a new ABYSMAL DAWN track after almost three years of waiting,” commented vocalist/guitarist Charles Elliott. “It’s a heavy one, so get ready to bang your fucking head with the song on repeat until your neck won’t move anymore!!!”

“Lyrically this one is about losing your idealism and becoming a cold, unfeeling shell of a human being, in order to survive our modern society. An inanimate object if you will; one without hope that has cut themselves off from emotion. Our experiences in this life can carve us into stone, but they can also desensitize us in the process. In short, this might be the most depressing song you ever wanted to circle pit too.”

“We hope you enjoy ‘Inanimate‘ and that you catch us on our tour with Deicide this fall. We’ll also be playing a few headlining shows that we hope you’ll cause chaos at as well. See you soon and cheers!”

ABYSMAL DAWN‘s new album, Obsolescence, hits late October 2014.

STAROFASH – Ghouleh

Twelve years after STAROFASH‘s excellent debut, Iter.Viator, the brainchild of Heidi S. Tveitan proves to only reach new heights over the course of time.  Ghouleh, featuring a song for every month of the year plus one bonus track, is an imaginative, ethereal album.

Unlike Lakhesis, Ghouleh‘s foundation is not entirely dependent on a traditional band configuration (drums, guitar, bass).  Instead, a portion is based on electronic/programming in addition to the trademark STAROFASH classical instruments of pianos and synth.  New dimensions of the band’s sound are sometimes obvious yet often subtle.

The variety of the material is wide yet cohesive.  A song like “Shimmer” is on the grandiose side of things compared to the minimalist electronics of “Draum.”  The results are always beautiful, delicate, organic soundscapes.

What really matters most with Ghouleh is that the music is compelling and straight from the heart.  STAROFASH directly communicates with the listener on a deep level.  With music this good, it’s so easy to just drift off to another place.  One of the best albums of the year.  (Mnemosyne Productions)

Video of the Day: TRIPTYKON Bring the Darkness in “Aurorae” Video

The new TRIPTYKON video for “Aurorae” just came out and it’s a fine video.  Every video that Tom G. Warrior has been apart of, whether it’s CELTIC FROST‘s return or TRIPTYKON, has done a great job in perfectly capturing the feel and meaning of the respective songs.  The video for “Aurorae” is no different as it conveys the darkness and desolation of not only the song but of the entire album, Melana Chasmata.

ABYSMAL DAWN’s Obsolescence Strikes October 2014

Los Angeles death metallers, ABYSMAL DAWN, return with full force on their fourth full-length, Obsolescence. Obsolescence will be released October 28th in North America (UK/World October 27th and Germany/Benelux/Finland on October 24th) via Relapse Records. Pre-orders will be available shortly.

Mainman Charles Elliott provided the details:

“Three years have passed since the release of ‘Leveling the Plane of Existence‘, and it’s high-time we released another slab of epic, bludgeoning death metal. This album took over a year and a half to come to fruition between writing and recording, and I think the blood sweat and tears definitely show in the final work of art.

“The title of the record is inspired by the term ‘planned obsolescence’, and is applied to all of mankind. In business terms, it means to manufacture a product that’s made to breakdown after a certain amount of time, so that it can be replaced. People. Societies, governments and religions all have an expiration date for their usefulness in this world; they break down and are replaced just like any other commodity. If you follow the band, you know that dehumanization is a running theme with us, and you’ll be relieved to know we aren’t singing about rainbows, puppies and the girl next-door on this one.

“I also have to say, it was a great pleasure of mine to have our friend and amazing guitarist, Christian Muenzer, lay down a guest solo on a track. My teenage guitar hero Bobby Koelble shreds on a song as well, making it the only metal album I can think of that he played on since ‘Symbolic‘! That in itself is a huge honor for me.

“We even did a cover song of DISSECTIONNight’s Blood‘ that I think everyone will enjoy. We tried hard to obtain the integrity and vibe of the original and I think we achieved that. It’s the first cover we ever recorded. So we made sure we did it right!

“When all is said and done, I believe this is to be our crowning achievement so far, and I’m sure the fans will agree once they hear it. Thank you for all your support over the years. See you all on tour this Fall!”