Straight Shooting: Metal Labels Stealing Each Other’s Marketing Ideas

After working behind the scenes in metal for the past 14 years, I’ve learned a thing or two about how it all works. I understand that most metal fans and most music fans in general are really not that interested in what goes into making everything happen. However, I can’t help but make a facepalm when I see something like labels stealing each other’s marketing ideas so blatantly.

You may have noticed that a few labels have taken up this idea of having “lyric videos” of new songs from upcoming albums posted on youtube. It only took one label to come up with this idea for the others to jump on the bandwagon. Has this marketing idea proven to sell more records? No one can say because no metal label ever analyzes their marketing campaigns to that level of sophistication. What is often the unintended result of these “lyric videos” is that the unintentional comedy of the lyrics is exposed instead of being hidden behind the delivery.

Have you noticed that labels no longer host their own streams of new albums? Every publicist is trying to get new priority records streamed online at various blogs/webzines all the while asking competing blogs/webzines to spread the word about them. I’m not sure if fans can or care to keep up with all the different streams at all the different websites.

Another example are the CD/tshirt bundles that labels are selling through their online shops. The End Records were the first to do this and offer a special souvenir to fans while also creating a value and incentive for fans to actually buy the product instead of illegally downloading it. Shortly thereafter Century Media and Nuclear Blast started offering the same type of bundle and so on and so forth.

Going back a decade, web banners and Flash e-cards and splash pages were all the rage on the web. Every label had to participate or else they’d feel left out. Also, street teams were supposed to be the next big marketing tool for labels to get the word out. Labels were basically asking fans, “Hey, why don’t you do all this promotional work at record stores and shows while we compensate you with a few measly concert tickets and CDs?”

Don’t get me wrong.  I’m not omitting to point out that throughout any industry, marketing ideas are always copied.  This is just the nature of the beast.  However, in metal, the blatancy in which it is carried out can’t be ignored.  Keep your eyes open and you’ll see it all.

Celebrating 10 Years of APESHIT: The Genesis of APESHIT

2012 marks the 10th anniversary of APESHIT. It’s been a long ride and it’s pretty crazy to think we’ve done this thing for so long. Through hard work, stubbornness, sacrifice, and dedication to our vision, APESHIT has been able achieve many successes and victories while also outlasting many of our peers. We’ve been fortunate to have had the opportunity to work some of the most dedicated people in the industry as well as some of the greatest bands on the planet. Let’s take a look back at how it all began.

Back in 2002, I was two years removed from graduating from college with a useless degree and little career direction. I was in my second year of working for two of the biggest underground metal labels handling all aspects of their online presence. Yeah, I know it may sound like a metalhead’s dream come true but working for pennies isn’t exactly something to give you hope for a bright future.

I had known roycifer since college where we both had underground metal radio shows. He was one of the first djs in the U.S. to play all the albums from the, then blossoming, Norwegian black metal scene. After college, he took his self-taught web design skills to a professional level and had recently quit his long time radio show. We were both looking to not only take our love of metal to the next level but also help strengthen our resumes for a better professional future in the web. After one conversation, it was decided. We were going to launch our very own extreme music webzine.
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Video of the Day: CANDLEMASS’ “Bewitched”

After SABBATH created doom metal, Swedish gods CANDLEMASS (and arguably PENTAGRAM) took it to the next level. Simply a timeless, mandatory band.

Let’s check out the video for “Bewitched” from the band’s classic album, Nightfall. Sure, the video has a healthy dose of cheese but damn it, the song is too good to deny.

If you haven’t checked out CANDLEMASS yet, get on it!

National Association of Music Merchants (NAMM) 2012 Show Report

Every year, NAMM bestows upon us shiny new toys for musicmakers of all genres to make new (and old) sounds with. NAMM 2012 was no less a musical heaven for the products, gadgets, and innovations that help make metal happen. We took a spin through the showroom floor at Anaheim Convention Center to check out some new equipment that our metal cohorts use and abuse. Full report after the jump.
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Video of the Day: Two Kids Jamming DARKTHRONE

When I was a little kid in grade school, I was busy riding my bike, playing video games, and watching cartoons. Well, these two kids have put me and all of you to shame by choosing to jam on classic extreme metal songs. Check out their awesome cover of DARKTHRONE‘s “Under a Funeral Moon.”

Cheers to THE WRETCHED END‘s Samoth for the tip.

Song of the Day: SINISTER’s “Diabolical Summoning”

In the larger scheme of things, death metal legends SINISTER never received the credit that they deserved. Their early albums are underground gems that no metal warrior should be without.

Let’s blast the title track from their second album, Diabolical Summoning. This album is nearly 20 years old and its brutality and heaviness is still rarely matched.

Concert Memories: DEATH, HAMMERFALL @ The Whisky, Hollywood, CA (12/05/98)

Back in 1998 on a cold December night, the legendary DEATH were set to perform at The Whisky. What would eventually become the Apeshit goons were all in attendance for this mandatory show. The band recently released what ended up being their final album, The Sound of Perseverance. This was to be my first (and last) time seeing DEATH and I was excited. This show was recorded and later released as the Live in LA: Death and Raw album.

The Whisky was packed that night with plenty of old school death metal fans. The show was clearly oversold as indicated by the sauna-like conditions inside. Newly born darlings of the metal media, HAMMERFALL, opened the show. Their brand of traditional heavy metal/power metal got them a great reaction from the crowd who was clearly into it. The band took off to bigger (underground) heights in the years to follow before falling back to earth.

We had to wait what seemed like an eternity before the DEATH intro of the Halloween movie theme song came on to the approval of the crowd. I managed to get some prime real estate close to the stage between where Chuck Shuldiner and Scott Clendenin would play from. As soon as DEATH started playing “The Philosopher,” the crowd was energized and totally engaged. This show was about feeling the music instead of trying to act like a tough guy.
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Song of the Day: ZYKLON Pays Tribute to Chuck Shuldiner

Ten years ago today, the metal world lost death metal pioneer, Chuck Shuldiner. I remember hearing the news early in the morning as I started my shift at work. It was a very cold morning and the news of his death made the day a whole lot worse. MTV had posted a video interview they had done with him following his latest round of treatment so I was thinking that maybe he would be able to pull through and beat the odds.

Let’s pay tribute to the metal god and blast DEATH and CONTROL DENIED today in his honor.

Check out ZYKLON‘s supreme cover of the DEATH classic, “Pull the Plug.”

Song of the Day: When Rob Halford Joins Forces with PANTERA

Today marks the seventh anniversary of PANTERA/DAMAGEPLAN guitarist Dimebag Darrell‘s murder. I’m sure we all remember where we were when we heard the news. Friends of mine received eyewitness accounts of what happened that fateful night in Ohio and it’s just absolutely tragic. Let’s also not forget the other people who were killed that night, Jeff “Mayhem” Thompson, Erin Halk, and Nathan Bray. If you were into metal in the early to mid 90′s, this was a very big deal.

So let’s enjoy this song from the “Buffy the Vampire Slayer” movie soundtrack, which features JUDAS PRIEST‘s Rob Halford with PANTERA as his backing band on “Light Comes Out of Black.” The way Dime follows Halford‘s awesome falsettos (i.e. “Cemetery Gates“) and Halford and Phil Anselmo‘s dual vocals are killer.