DEADLOCK’s new album, Wolves, is quite a mixed bag in more than a few ways. Different genres fight for space on the album and are unwilling to work together to form some kind of cohesive sound. There is a blatant, obvious lack of consistency and focus. Do they want to be melodic death/thrash metal? Do they want to be melodic metal? Do they want to be gothic metal? Do they want to be an extreme metal band? Do they want to be industrial/electronic dance music? Do they want to be pop? The band shift their style and sound completely depending on whether the female or male vocals take the lead, which sometimes gives off the feeling that there are at least two different bands here. Often times, you’re left feeling like Wolves is a cut and paste album. DEADLOCK sound like a cover band in the fact that they are so good at imitating many recognizable styles of popular underground metal bands (i.e. DIMMU BORGIR, SOILWORK, IN FLAMES, CHILDREN OF BODOM, THEATRE OF TRAGEDY). They can definitely play well but their artistic vision is blurry and premature at best. DEADLOCK try to take too many bites of the apple before swallowing and subsequently choke. Variety and versatility is always great but not when one band ends up sound like a Nuclear Blast compilation album. (Lifeforce Records)
-
Meta
-
RSS
Buy this Album | The Omega Order
-
Find us on Facebook
-
Follow APESHIT on Twitter
-
Recent Comments
- SAMAEL: Above and Beyond (1)
- Additional 14 Months Tacked Onto Varg Vikernes’ Prison Sentence (36)
- DEVIN TOWNSEND: The Rebirth of Devin Townsend (1)
- The Big Four’s Sofia, Bulgaria Concert to Be Beamed to Movie Theaters Around the World (1)
- Southern Lord to Release BXI, a Collaboration between BORIS and Ian Astbury (1)
-
Recent Photos



-
News
- Listen to New DIMMU BORGIR: “Gateways”
- INTRONAUT Post Video Trailer Online; to Tour with HELMET
- DARK FUNERAL Bassist Announces Departure
- CRADLE OF FILTH: Darkly, Darkly, Venus Aversa Artwork Revealed
- BEHEMOTH Frontman, Nergal, Diagnosed with Leukemia; Seeking Marrow Transplant
- VOIVOD and PORCUPINE TREE Members Contribute to MEAN DEVIATION: Four Decades of Progressive Heavy Metal
- TESTAMENT’s Chuck Billy Appearing in Smithsonian’s National Museum of the American Indian Exhibition
- SLAYER, MEGADETH, ANTHRAX Making Another U.S. Run this Fall
- X JAPAN Announce First Ever U.S. Tour
- Watch the New Video from THE MAN-EATING TREE
- Release Date Set for ABORYM’s Psychogrotesque
- SLEEP: Marijuanaut’s Return US 2010 Tour Update
- The Power of the Riff Festival: Set Times Announced and Info
- HAIL OF BULLETS Finish Recording for Second Studio Album
- ARSON ANTHEM to Release First Full-Length, Insecurity Notoriety, on October 12th
-
Reviews
- NEVERMORE – The Obsidian Conspiracy
- PAIN – Cynic Paradise
- KEEP OF KALESSIN – Reptilian
- WITCHERY – Witchkrieg
- SOULFLY – Omen
- CHARRED WALLS OF THE DAMNED – Charred Walls of the Damned
- AEON – Path of Fire
- WATAIN – Lawless Darkness
- ALCEST – Écailles De Lune
- MARC RIZZO – Legionnaire
- NIDINGR – Wolf-Father
- SHINING – VI – Klagopsalmer
- BORKNAGAR – Universal
- MISERY INDEX – Heirs to Thievery
- TRIDENT – World Destruction
-
Features
- DEVIN TOWNSEND: The Rebirth of Devin Townsend
- Andreas Kisser: Guitar Hero
- CHTHONIC: Actions Scream Louder Than Words
- CONVERGE: A Conversation with CONVERGE
- IHSAHN: Progressive Thrills and Chills for a Post-Black Metal Age
- DREAMING DEAD: Dreams Within
- APESHIT’s Top Albums of 2009
- SAMAEL: Above and Beyond
- KRISIUN: South American Storm
- SIGH: Vulgar Display of Artistry
- APESHIT’s Top Metal Albums of 2008
- KEEP OF KALESSIN: Kolossal Ascension
- IHSAHN: New Empires
- NAPALM DEATH: Purveyors of Fine Grind
- CAVALERA CONSPIRACY: Blood Infliction
