Throughout my years of going to shows and meeting extreme metal bands to just say “hello” and “thanks” or to conduct an interview or hang out as colleagues, I have always found these artists to be very humble, down to earth, and hardworking people. Playing extreme metal is often a thankless and perilous endeavor that regularly tests just how much these artist are dedicated to their art.
Specifically, the legendary bands tend to be the most approachable and appreciative. They are more than happy to shake your hand, pose for photos, autograph all your merchandise, thank you for your support, and speak with you for a little bit. They may not have the most time in the world or be in the mood to do so, but they often try their best. Even strong and intimidating personalities such as David Vincent, Trey Azagthoth, Glen Benton, and Chris Barnes are all nice dudes. On the other hand, there are also exceptions to this but they shall remain nameless.
The brothers in KRISIUN are some of the coolest guys you can meet. They are so grateful when you compliment them on their performance or music. And if you’ve been a diehard for a long time, that makes their day. They never brag about their musicianship even though it’s totally insane, especially given the fact that they perform flawlessly every night. Whole notes don’t really exist in their songs. Hell, if you have the opportunity to party with them, they’ll share their whiskey or herb with you without hesitation.
Ross Dolan and Bob Vigna from IMMOLATION are awesome guys. I’ve seen them in various cities across the U.S. and they are always the same. Zero egos. Zero gimmicks. They’ve always been underdogs in terms of popularity despite the fact that they are legends but they never complain about anything ever. They just work hard and try their best.
I’ve had the pleasure of interviewing Andreas Kisser twice throughout the years and he is just as, if not cooler, than what you see in SEPULTURA home videos or elsewhere. He’s just a really cool and friendly person ready to laugh and is always positive. No shit talking from him. Andreas is probably one of the most open-minded people you can meet as well.
If you’ve ever seen SUFFOCATION live, then you’ve seen just how down to earth Frank Mullen is with the crowd. He never tries to act like the toughest guy on earth. He just speaks to the crowd like he would with people that he knows in his personal life. Offstage, the man is the same. Just a cool, honest, and passionate person. Frank appreciates any fans whether they be long time or brand new ones.
At the end of the day, the overwhelming majority of extreme metal bands that tour all over the world don’t really make much money. And yes, many of them have families and day jobs to take care of back home. It can be a meager existence. Thus, you can’t blame them for having tours with VIP packages.
Without their dedication and immense talents, there wouldn’t be much of a scene. So next time you’re at a show and you see a band member walking around or just hanging out, it will never hurt to just say “hello” and show appreciation for their hard work. Trust me, they will appreciate it.
In the world of death metal (and extreme metal as a whole), there are very few lead guitarists that can match Andreas Kisser‘s body of work. After being the guitar hero for SEPULTURA for almost 25 years, Kisser has released his first solo release and labor of love, Hubris I & II. Enlisting the help of some of Brazil’s most well-known musicians, Kisser has dished out a musically diverse and stimulating double album. APESHIT spoke to him from his home in Brazil about such his musical roots, his guitar heros, jamming with METALLICA and the SCORPIONS, and more.
Andreas Kisser has been one of extreme metal’s greatest lead guitarists for nearly 20 years and it is only until now that he has released his first solo album, Hubris I & II. The first thing that you should know about the double-CD album is that it is not a guitar shred instrumental nor is it a metal album. Hubris I & II is a showcase of Andreas‘ interests in classic rock, classical guitar, eastern music, percussion, and various genres of Brazilian music. The album carries a very unambashed Brazilian feel throughout.