Armed to the teeth with a vast array of weaponry, ABYSMAL DAWN go all out on Obsolescence. With the modus operandi of always pushing forward, the band successfully push its boundaries of musicality and intensity.
Obsolescence has the sophistication and dynamic range of latter era-DEATH balanced with sheer heaviness and brutality. With their chops, it’s too easy to take for granted the plethora of excellent riffing. The agility and precision involved is inspiring to musicians. ABYSMAL DAWN also incorporate a good blend of straight forward, simple riffing/song structures harkening back to old school/classic death metal.
Speaking of songs, they always come first here. The sheer intensity and sense of urgency evoked is something to behold. The track listing also plays a pivotal role in keeping the listening experience varied and compelling. Peaks and valleys in all facets of songwriting are so important.
Vocalist/guitarist Charles Elliot‘s vocals take prominence in each song, commanding a lead presence. It’s clear that his phenomenal performance on BEREFT‘s debut album has carried over to Obsolescence. His long, high screams hit at the most intense parts of songs. Certain vocal lines are accented by dual vocals (ala DEICDE) to nice effect.
The band’s cover of the DISSECTION classic, “Night’s Blood,” will bring a tear to any DISSECTION fan’s eye. It’s not only a flawless tribute but fitting that the first song on Storm of the Light’s Bane serves as the album closer.
As a music listener, a good rule of thumbs is to leave labels behind (i.e. “technical death metal”). Enjoy ABYSMAL DAWN‘s Obsolescence for what it is – fine music. (Relapse Records)