Video of the Day: MACHINE HEAD’s Robb Flynn Poignantly Calls Out Phil Anselmo on “White Power” Remarks

In response to the controversy surrounding Phil Anselmo‘s Nazi salute and “white power” remark onstage at the end of his performance at Dimebash last week, MACHINE HEAD‘s Robb Flynn has posted a video that provides additional facts of what happened at the show and his opinion of  Phil Anselmo‘s latest and past racist remarks.  Robb‘s new facts provide additional context and meaning to Phil Anselmo’s antics.  Watch as he brings the hammer down:

Be sure to watch this in its entirety.  Go, Robb!

Video of the Day: Revisiting MACHINE HEAD’s Nu Metal Period

With the release of MACHINE HEAD‘s debut, Burn My Eyes, during the tail end of metal’s time in the mainstream eye,  the band set its sights on the next big thing with their third album, The Burning Red.  Yup, the band had gone nu metal in sight and sounds.  Check out the video for “From this Day“:

The video really speaks for itself, doesn’t it?  The interesting thing is that The Burning Red is actually a solid album and is better than their second album, The More Things Change.

You’ve got to wonder though that had nu metal stayed big whether MACHINE HEAD would’ve returned to playing straight up metal or continue with nu metal.

MACHINE HEAD’s Robb Flynn to Lead All-Star BLACK SABBATH Tribute Band at Benefit Concert

Members of MACHINE HEAD, METALLICA, SLAYER, TESTAMENT, EXODUS, DEATH ANGEL, FORBIDDEN, SPIRALARMS, SUICIDE SILENCE, and RUBBLE will perform classic songs by BLACK SABBATH as part of an all-star tribute band that will headline the Robb Flynn & Friends Benefit Concert on Friday, January 17, 2014 at the Oakland Metro Operahouse in Oakland, California.

FORBIDDEN and SPIRALARMS guitarist Craig Locicero, who organized and will also take part in the event, had the following to say about how the idea for the benefit concert came about: “A good friend of ours and all around great person, Nikki Davis, was in a motorcycle accident with her husband Jeff. Sadly, Jeffdied at the scene. Fortunately, Nikki survived but she was unconscious for a few days. She awoke to the daunting reality that her husband, soulmate and best friend had passed away.  It was heartbreaking to all of us in the Bay Area scene.

“Robb Flynn and I have known Nikki for at least 25 years and she is a huge supporter of the Bay Area’s metal and punk scene.

“I wanted to help Nikki out a year ago, but most every band was busy on tour and unavailable. A few weeks ago, I had approached Robb about doing a benefit for Nikki and he thought it was a great idea.

“Robb has gone above and beyond to help bring together something very special and memorable to helpNikki on January 17th. He’s been the catalyst for getting this thing off the ground so quickly and Nikki is very thankful.

“We hope to raise enough money to help Nikki continue to get back on her feet because the healing is not finished. She still has medical bills to pay and we want to do anything we can to help our old friend.”

For those who can’t attend the concert, donations can be made to Nikki‘s PayPal account at [email protected].

Concert Memories: BLACK SABBATH, OZZY OSBOURNE, PANTERA, TYPE O NEGATIVE, MARILYN MANSON @ Glen Helen Blockbuster Pavilion, June 29, 1997, San Bernardino, California

Ozzfest 1997Back when I was a senior in high school, a friend called me up and was yelling at the top of his lungs about an “Ozzfest.”  When he told me about the dream line up, I was beyond excited.  Who on this earth wouldn’t have wanted to see OZZY, DANZIG, SLAYER, SEPULTURA, and FEAR FACTORY in 1996?  Unfortunately, my friend didn’t care enough to actually go with me to the show and I was the only person in my school that cared enough to go.  Thus, I missed the show.

So 1997 rolls around and I’m a freshman in college and working as a school teacher during the summer.  Most importantly, I had my own damn car.  When the announcement for the second Ozzfest came out, I was beyond excited.  To be able to see the reunited original line up of BLACK SABBATH meant everything to me.  SABBATH were my favorite band at the time (and still are).  Those first six albums changed my life.  Not even Technical Ecstacy or Never Say Die hurt my feelings as much as Load but that probably has more to do with the fact that I was born in ’78 and not ’68.  I still have those first SABBATH albums on cassette tape.

Unlike 1996, I wasn’t going to be deterred by the fact that I did not know a single soul who wanted to go.  Armed with a Thomas Guide map, I set out in my car on the furthest drive of my 19 year old life.  After the over two hour drive, I arrived at the venue, which is out in the middle of shitsville (AKA San Bernardino County, California).  Lots of dirt, rocks, scorching heat, and rednecks.  As I pulled up to entrance of the venue, there were the obligatory Christian groups protesting the show with a focus on Ozzy.  They were holding up signs about damnation and devil worship…completely harmless stuff.

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APESHIT’s Top Metal Albums of 2011

2011 was a very productive and enjoyable year for extreme music, perhaps the best in years. Thus, it was not an easy task choosing what we enjoyed best since they were just so many. 2011 also gave us unforgettably bad albums by LOU REED and METALLICA, flops by THE HAUNTED as well as controversial ones by MORBID ANGEL.

We look forward to another strong year in 2012 in which we will celebrate our 10 years online. Cheers for all of your support in 2011! Radikult!!
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In New Murder in the Front Row Book, MACHINE HEAD’s Robb Flynn Recalls Growing Up in SF Thrash Metal Scene

MACHINE HEAD guitarist/vocalist Robb Flynn joins Gary Holt of EXODUS, Alex Skolnick of TESTAMENT, and other Bay Area thrash metal luminaries contributing written material to the deluxe upcoming photo book Murder in the Front Row: Shots From the Bay Area Thrash Metal Epicenter, by Harald Oimoen and Brian Lew. This massive volume is due December 2011 from Bazillion Points Books, and sneak peeks and preorders are available at this location:

http://www.murderinthefrontrow.com

In the book, Flynn recalls his initiation into the local scene via highly-energized gigs like RAVEN, METALLICA, and EXODUS at the Berkeley Keystone; Texas transplants D.R.I. at the Mabuhay Gardens; and EXCITER at the Stone. “I became totally obsessed,” Flynn writes. “I punched a kid and broke his nose at an ANTHRAX show at the Kabuki for saying [EXODUS guitarist] Gary Holt sucked. Yes, I was a thrasher, willing to fight and bang and bleed for my thrash metal gods.”
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MACHINE HEAD – Unto the Locust

The Blackening was clearly MACHINE HEAD‘s most acclaimed record since their debut, Burn My Eyes. Career-wise, following up the former is no easy task but the band have done so in strong fashion with Unto the Locust.

As with The Blackening, the band continue to push themselves to the limits of their playing abilities and it serves them well. There are plenty of scorching moments that are just awesome. Pure metal riffing, including plenty of thrash beckoning from the band’s roots, neo classical-meets-metal influences, classical guitar, children’s choir, violins, etc. power Unto the Locust. The musical scope of the record, at times, seems so vast as there is such diversity here, and MACHINE HEAD do a masterful job of finding an apt place for everything. It’s a credit to the superb songwriting and ambition of the band.

But the record is not all about brutality or speed. There are plenty of powerful solemn moments that are refreshingly soulful. It’s just another dichotomy among many on Unto the Locust that gives it its multi-dimensional nature.

Beyond the aforementioned, Unto the Locust succeeds because the sense of urgency, honest emotion, and introspective lyrics bring it all together. And naturally, vocalist/guitarist/lyricist Robb Flynn can be credited with much of this. His voice and lyrics exude the type of passion and charisma that reaches people. There is a lot of pain and introspection going on and it’s expressed very powerfully.

Without a doubt, Unto the Locust is another victory for MACHINE HEAD and easily one of the best albums of the year. Not to be missed. (Roadrunner Records)

MACHINE HEAD to Support METALLICA in January

Grammy nominee’s MACHINE HEAD are pleased to announce that they will serve as direct support to METALLICA for a spate of dates that begin in January.

The band, who are currently tearing it up alongside SLIPKNOT, DISTURBED, MASTODON, and others on the Rockstar Energy Mayhem Festival, completed a successful opening stint with METALLICA in Europe earlier this summer.

Additional support will come from THE SWORD.

Dates thus far are as follows:

Jan. 12 – Milwaukee, WI @ Bradley Center
Jan. 13 – Detroit, MI @ Joe Louis Arena
Jan. 15 – Washington, DC @ Verizon Center
Jan. 17 – Philadelphia, PA @ Wachovia Center
Jan. 18 – Boston, MA @ TD Banknorth Center
Jan. 26 – Chicago, IL @ Allstate Arena
Jan. 29 – Uniondale, NY @ Nassau Coliseum
Jan. 31 – Newark, NJ @ Prudential Center

ARCH ENEMY: No Rest for the Enemy

The demise of CARCASS in the mid-nineties spawned a metal beast known then by only the most dedicated underground metal fans in ARCH ENEMY. Fast forward to 2008, ARCH ENEMY are one of the most popular and well-recognized bands of metal today. Powered by the band’s unwavering work ethic, not to mention the guitar wizardy of brothers Michael and Chris Amott, and the prowess of singer Angela Gossow, ARCH ENEMY have birthed their latest (and perhaps finest hour), Rise of the Tyrant. APESHIT caught up with Michael Amott on the last night of their Fall U.S. tour with MACHINE HEAD to examine the band’s rise to the top and dissect the secret to their success.

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APESHIT’s Top Metal Albums of 2007

It’s been a grossly successful 2007 for APESHIT, and though we find it hard pressed to make that same general claim for metal in 2007, a handful of albums did manage to leave a strong impression on us. We here at APESHIT individually compiled our own top 10 metal albums of 2007 lists for a new “blog” category that we look forward to experimenting with in 2008. Let us know what you think and post your own top 10 metal albums of 2007 in the comments section below. Cheers!

dr.park’s top 10

1. MANES How the World Came to an End

This album really just came out of nowhere and turned out to be one of the best albums in recent years. The album is so deep in its scope, ambition, and execution and is a winner in every facet. Ideally, this should be an underground/indie hit. [Read our full review]

2. ULVER Shadows of the Sun

It’s sounds tired to say but ULVER have done it yet again. Shadows of the Sun is another creative gem. The strong melancholic, subdued atmospheres make for some of the best mood music you can find. [Read our full review]

3. TURBONEGRO Retox

Retox is far better and more solid than their recent efforts. Finally, fans have been given an album that comes as close to their zenith, Apocalypse Dudes, as the band can get. Retox is also prime party music. [Read our full review]

4. MAYHEM Ordo Ad Chao

Just when you thought Norwegian black metal had grown too safe, accessible, and popular, MAYHEM makes an essential album that crushes all. Ordo Ad Chao is a powerful statement of true Norwegian black metal the way it used to be: pure, dark, raw, and evil. [Read our full review]

5. SHINING V: Halmstad

SHINING are one of the best underground Swedish death/black bands that many underground fans have yet to hear. Great riffs, flow, balance and strong vocal presence from band leader and raging maniac, Niclas Kvarforth. V: Halmstad is some of the best (Swedish) metal not coming from Gothenburg. [Read our full review]

6. DIR EN GREYThe Marrow of a Bone

Though most of their U.S. fans are teenage girls with Japanese pop culture fever, don’t let that subtract and detract from this quality album. The Marrow of a Bone is ugly, dark, and has the right balance of hooks and brutality that has allowed it to be another worldwide hit for the band. [Read our full review]

7. WATAIN Sworn to the Dark

To steal a thought from shady rajah: This is the album that DISSECTION should’ve written as their final album. WATAIN keep the flame of classic Swedish black/death metal burning with no peers in sight. [Read our full review]

8. PRIMORDIAL To the Nameless Dead

Ireland’s premier metal band, PRIMORDIAL, have written yet another excellent album of folk/black metal that is so much grander, powerful, and spirited than so much else out there. [Read our full review]

9. MELECHESH Emissaries

If you haven’t heard this band or this album, you are missing out on a lot. There’s nothing like MELECHESH‘s Mesopotamian metal and Emissaries is easily their best album. NILE is good and all but MELECHESH are better at conjuring the ancient rhythms, spirits, and mythology of the gods. [Read our full review]

10. PARADISE LOSTIn Requiem

It’s always a great thing when underground legends can continue to make high quality music so deep into their careers. In Requiem is not your flavor of the month underground metal but who cares…it’s timeless stuff. [Read our full review]

shady rajah’s top 10

1. WATAIN Sworn to the Dark

As the only worthy successor to the departed DISSECTION, WATAIN has carved their own bloody path to black metal glory. Sworn to the Dark is an album filled seething aggression and evil atmosphere that is complex in details, but undeniable in song craft. WAITAIN are a band that’s made black metal dangerous again. [Read our full review]

2. DOWNIII: Over the Under

DOWN‘s third album couldn’t have had a more fitting title, as the band overcame a mountain of adversity. Over the Under successfully captures all the pain, sweat and struggle with all the heat and density of an Louisiana swamp, resulting in 2007’s most heartfelt, honest and real album. [Read our full review]

3. EXODUSThe Atrocity Exhibition Exhibit A

A recent thrash metal trend has surfaced ushering hordes imitators still trying capture that classic 80’s sound. EXODUS isn’t it making it any easier for these wannabes as The Atrocity Exhibition drove shards of razor sharp thrash in to the jugular of pretenders everywhere. Nearly thirty years later, these Bay-area bruisers just seem to keep getting heavier, and are keeping true thrash alive and killing. [Read our full review]

4. SHININGV: Halmstad

Niklas Kvarforth has kept the flame of darkness and hatred burning for a decade now, with each album becoming increasingly more complex and intricate while retaining the feeling dread and despair that has existed since the band’s beginning. V: Halmstad is the band’s masterwork, engulfing the listener in darkness. Suicide has never sounded better. [Read our full review]

5. MIDDIANAge Eternal

Formed from the ashes of YOB, MIDDIAN was the vision that continued Mike Scheidt‘s path of doom metal mastery, laying the foundation for the future of sludge. Age Eternal brought the power of slow and the strength of the riff. Unfortunately the band was dropped and forced to change their name, but in their brief moment time, MIDDIAN created a small piece of doom metal history. [Read our full review]

6. DIMMU BORGIRIn Sorte Diaboli

Norway’s premier black metal(ish) super group, DIMMU BORGIR delivered yet another powerful entry in their already considerable catalog, with a driving guitar heavy album that was catchy as it was complex. Having Hellhammer on board didn’t hurt either, as Jan Axel carved layer of intricate drum patterns to enhance the band’s already ambitious anti-Christian concept album. A successful anti-Christian concept album…how awesome is that? [Read our full review]

7. ABORTEDSlaughter and Apparatus: A Methodical Overture

Sven De Caluwe may have lost all his original members, but nothing detered the growling machine. He simply assembled a new death squad and delivered another precise, surgical slaughter of bludgeoning death metal. Relentless and furious yet containing some of the catchiest songs about mutilation written in recent memory, Slaughter and Apparatus continues the band’s excellent carnage. [Read our full review]

8. MACHINE HEADThe Blackening

After dabbling in bland nu-metal for a spell, MACHINE HEAD came roaring back with their return to form, Through Ashes of Empires. But that was just the warm up. The Blackening is the main course, with the band firing on all levels, encompassing MACHINE HEAD‘s most challenging work to date. The Blackening serves as both a defining moment in the band’s history as well as one of 2007’s finest albums. [Read our full review]

9. IMMOLATIONShadows in the Light

These death metal veterans helped shape and form death metal in it’s earliest stages, but the Yonker’s natives still show they have plenty of tricks up their sleeve. IMMOLATION deliver an intricate maze of riffs, complex drum patterns, and heapings of sinister atmosphere…not to mention an ample amount of guitar shredding. Their legacy of death continues to grow. [Read our full review]

10. SOILWORKSworn to a Great Divide

Despite losing a pivotal member with the departure of Peter Wichers, the band nonetheless stepped up to the plate, dove in to their considerable arsenal of hooks, and soldiered on with one of the year’s catchiest records. Balancing song craft and drummer Dirk Verbeuren‘s well thought out drum patterns, Sworn to a Great Divide is full of hooks that stick in your head. [Read our full review]

roycifer’s top 10

1. HIM Venus Doom

These Finns have always been top-notch songwriters, and they succeed again while under the delicious influence of doom. Ville Valo‘s singing and songwriting don’t miss a step, and the band sound at home with the heavier vibe. “Sleepwalking Past Hope” is a magnificent epic of “November Rain” proportions.

2. MAYHEM Ordo Ad Chao

With Ordo Ad Chao, MAYHEM made black metal sound exciting and totally fucking evil again! The album trembles with such unnerving, nihilistic ferocity not heard since the inception of black metal. Hellhammer‘s best performance. [Read our full review]

3. QUEENS OF THE STONE AGEEra Vulgaris

Josh Homme is a music making beast with such a distinct style and vision. Everything he touches, turns into gold. Their best album since Rated R. [Read our full review]

4. SCARVE The Undercurrent

Guitar music hasn’t been this exciting since SOILWORK emerged onto the scene. But SCARVE are not merely a guitar band. Drummer Dirk Verburen really helps shapes the band’s sound and provides a necessary dynamic with his drumming. [Read our full review]

5. CHIMAIRA Resurrection

This was the album that should have followed The Impossibility of Reason. CHIMAIRA have always had a lot of potential and are continuing to show their steady growth as musicians and songwriters. Move over LAMB OF GOD, CHIMAIRA are the true heir to PANTERA‘s throne. [Read our full review]

6. SHINING V: Halmstad

V: Halmstad is uniquely black metal in that it draws a lot of influence from rock and classical music but is pieced together in a very progressive manner. The excellent songwriting is topped by the tortured vocals of Niclas Kvarforth. Suicide never sounded so damn inviting. [Read our full review]

7. MANES How the World Came to an End

How the World Came to an End is an eclectic album for the ages that spans rock, electronic, and hip-hop while still feeling every bit metal. ULVER, eat your heart out. [Read our full review]

8. AMORPHIS Silent Waters

Silent waters was where the band was treading about for a few releases. But their latest album is solid collection of timeless listening. Singer Tomi Joutsen has breathed new life into a group of vets making waves once again. [Read our full review]

9. MARDUK Rom 5:12

Black metal’s ever-black sons of Swedish blackness keep getting better (and blacker) with age. New singer Mortuus‘ is ferocious and has a voice all his own. To quote dr.park, “it sounds like he’s gurgling blood.” Rom 5:12 also marks a newfound reach to diversify and expand their style…and those risks certainly pay off. [Read our full review]

10. ION DISSONANCEMinus the Herd

While the bees were busy buzzing about JOB FOR A COWBOY, ION DISSONANCE were having a ho down of their own. Minus the Herd tops JOB FOR A COWBOY‘s Genesis on technicality, dynamics, and lasting interestingness. [Read our full review]