To celebrate the 20th anniversary of SEPULTURA‘s Roots, Max and Iggor Cavalera will be heading out on the Return to Roots Tour where they will be performing the entire album. Long time SOULFLY/CAVALERA CONSPIRACY member Marc Rizzo will play lead guitar.
“Metalheads! It’s time,” declares Max Cavalera. “20 years ago, we released the Roots album and changed the face of metal forever. Now, we’re returning to “the roots” to show everybody the magic and inspiration of the Roots live experience! You cannot miss this RETURN TO ROOTS 2016!”
Iggor Cavalera adds, “I am very proud to play Roots again, to reaffirm that after 20 years, it still moves people! We hit the stage again with Roots to destroy everywhere we pass by!”
The US tour starts this September and opening bands include THE BLACK DAHLIA MURDER, COMBICHRIST, ALLEGAEON, ALL HAIL THE YETI, and ONI. Tour dates and additional info can be found here.
In an interesting twist to the SEPULTURA saga, the band recently released their music video for their cover of CHICO SCIENCE and NAÇÃO ZUMBI‘s “Da Lama Ao Caos.” Guitarist Andreas Kisser is on lead vocals. The cover also appears on the band’s latest album, The Mediator Between Head And Hands Must Be The Heart.
Interestingly enough, Max Cavalera, following his resignation from SEPULTURA, covered the same song albeit with NAÇÃO ZUMBI 18 years earlier. It should be noted that SOULFLY‘s first lead guitarist was actually NAÇÃO ZUMBI’s Jackson Bandeira.
Both covers are interesting for many different reasons and it’s likely a coincidence that both parties covered the same song, which undoubtedly is a well known song by a well known Brazilian band.
“Our relationship with NAÇÃO ZUMBI is very cool,” commented guitarist Andreas Kisser. “When SEPULTURA was starting to use Brazilian percussion, CHICO SCIENCE was emerging at the same time, doing almost the opposite. While we were incorporating Brazilian music into the weight of heavy metal, they were adding the weight of rock guitars into the unique sounds of Pernambuco’s regional music. The song ‘Da Lama Ao Caos’ is an example of that.”
KILLER BE KILLED, the new band comprised of Max Cavalera (SOULFLY, ex-SEPULTURA), Greg Puciato (THE DILLINGER ESCAPE PLAN), Troy Sanders (MASTODON) and Dave Elitch (ex-THE MARS VOLTA), have posted two new tracks from their self-titled debut. Check out the songs “Wings of Feather and Wax” and “Face Down“:
The album comes out on May 9 (Europe), May 12 (UK) and May 13 (N. America) via Nuclear Blast Entertainment.
Napalm Records is honored to announce the signing of CAVALERA CONSPIRACY. The band, who released albums Inflikted and Blunt Force Trauma, have signed a worldwide record deal with the Austrian based label. The band revolving around the legendary brothers Max and Igor Cavalera is currently working on their still untitled third studio effort.
“I am so excited that CAVALERA CONSPIRACY has signed with Napalm Records. This is gonna be our third album and it’s going to be a brutal grind-core style. I am already working on the riffs, and it is going to come out next year. Get ready to be brutalized by CAVALERA CONSPIRACYand Napalm Records!” – Max
“I am very excited to record the new CC record…Me and Max have been planning this for a while, and all I can say is that it will be a ‘Brutal’ record. Also I’m super proud to join Napalm Records, home of lots of amazing artists.” – Igor
After the deliciously brutal death/grind/thrash of SOULFLY‘s last album, Enslaved, where does Max Cavalera take the ship now?
Savages does not have the extremity nor singular focus of Enslaved. Rather, the record is about groove and spacing than its predecessor. As a result, the songs have more room to breathe, each riff stands out more, and the dynamic changes within songs help provide a greater sense of variety. Max continues to prove why he is a riff master among riff masters.
As would seem inevitable, Max‘s son Zyon Cavalera has joined the ranks on drums. He does a solid job though he is no David Kinkade. But then again who is?
All in all, Savages is a solid album. No complaints. Cool ideas can be found throughout. However, it is simply not as good as the band’s best works, Dark Ages, Conquer, and Enslaved. (Nuclear Blast Records)
As another great year for heavy music comes to a close, APESHIT takes a look back at our favorite pieces of music of 2012. This year had some great comebacks in CRYPTOPSY and STRIFE. There were also some nice surprises in the new sheer quality of the new SIX FEET UNDER and brutality of the new SOULFLY.
We want to thank all our readers, friends in the industry, and all the amazing artists, big and small, that we get a chance to work with for a great 10th year of existence. As the music industry as a whole continues to take an economic hit, let us all remember: If you like a band or one of their releases, support it!
6131 Records and STRIFE give you an inside look into the making of the band’s upcoming album Witness A Rebirth.
This first video from the three part documentary series, “The Sao Paulo Sessions,” takes you down to Mix Nova Studios in Brazil and shows the recording process with drummer Iggor Cavalera (ex-SEPULTURA, CAVALERA CONSPIRACY, MIXHELL). Directed and edited by Pablo Menna.
STRIFE traveled to Brazil to start the recording process with producer Nick Jett. Soon after, they returned to California and put the rest of the pieces into place, including guest vocals by Billy Graziadei (BIOHAZARD) and Scott Vogel (TERROR), plus a guitar solo by Marc Rizzo (SOULFLY).
STRIFE‘s Witness A Rebirth is due out this Fall on 6131 Records.
2012 will see the release of Enslaved, a brand new SOULFLY album, which will be their eighth overall. 2012 also marks the band’s 15th anniversary of the band.
The lineup features Max and guitar dynamo Marc Rizzo, with STATIC-X‘s Tony Campos taking up the bass. The lineup is rounded out by ex-BORKNAGAR drummer David Kinkade.
Enslaved was recorded at Tallcat Studios in Phoenix, Arizona and was produced by Zeuss and Max Cavalera.
SOULFLY also collaborates with Dez Fafara of DEVILDRIVER and Travis Ryan of CATTLE DECAPITATION. Ryan said it was “an honor to receive a call from someone you had pictures of on your wall as a kid.”
Cavalera also wrote a song “Revengeance” about his slain stepson Dana, whose death was the catalyst for the creation of SOULFLY. He partners with his sons Igor and Richie on vocals, while his other son Zyon plays drums. It is the first time Max has performed with three of his sons.
Roadrunner Records announced today the addition of French metal behemoths GOJIRA to the label.
“We are so stoked to walk with the legendary Roadrunner,” vocalist/guitarist Joe Duplantier said about the new partnership. “We discovered SEPULTURA, MACHINE HEAD, DEATH, FEAR FACTORY and so many other great bands thanks to these guys. Roadrunner has been a great source of inspiration for us as metal fans. It’s an honor to be part of this family today as a band. We feel we’ll get the right support at the right moment in our career. We cannot wait to release our new record and get back on the road.”
The band’s Roadrunner debut will be its fifth album overall. It was 2005’s From Mars to Sirius and 2008’s The Way of All Flesh which established GOJIRA as a metal force of nature and a key player in the scene. The band will record in New York City, also the label’s headquarters, in November 2011, with a spring 2012 release date being eyed. Joe Duplantier will serve in a co-producer capacity along Josh Wilbur.
GOJIRA have kept busy in between albums. They recently recorded the four-song Sea Shepherd EP, with all proceeds from the EP benefiting the Sea Shepherd charity. Sea Shepherd is a Washington-state based non-profit marine conservation organization which employs direct action tactics to protect sea life. Release details on that EP, which is loaded with guests like MASTODON‘s Brent Hinds, LAMB OF GOD’s Randy Blythe, SOULFLY’s Max Cavalera and Devin Townsend to name a few, are yet to be determined.
The pressure of writing a great SEPULTURA album, years after Max Cavalera departed, has certainly been a daunting one. After getting back on track with A-Lex, the new offering, Kairos, has its moments of “classic SEPULTURA” elements, but the aggression and speed are stripped away. There are heavy moments with catchy riffs, but for the most part, what you will find on Kairos is a mixture of mid paced and mediocre tracks.
“Spectrum” starts off slow with a groovy and simple riff that sounds decent, and the listener expects the speed to increase somewhere within the song, but the tempo never picks up. The pattern continues, as the title track starts off well and shows great potential only to decrescendo and slow down again. “Relentless” finally shows some spirit, as the beginning riff is reminiscent of the slow, catchy, crunchy style of early OBITUARY, and finishes off with an Arise era solo. The album starts to wear thin as songs like “Dialog” and “Born Strong” drag with their slower beats and rhythms. Aside from the occasional slow double bass, drummer Jean Dolabella does not let loose, and takes a “simpler is better” approach.
The start of “Mask” contains a riff and vocal pattern that is interestingly very similar to CAVALERA CONSPIRACY’s “Inflikted,” with Jean finally showing aggression and blasts in the song. There is a tasty solo towards the end – showing that there are a few good tracks on Kairos. The short and thrashy “No One Will Stand” and “Seethe” sound like classic SEPULTURA and help liven the album up. However, the pace of the other tracks outweigh these thrashier songs. SEPULTURA has never been afraid to experiment, and “Structure Violence (Azzes)” is an interesting collaboration with the French percussive group, LES TAMBOURS DU BRONX, but at the end of the day, most fans would probably skip this track.
Kairos includes the MINISTRY cover “Just One Fix,” and while the original sounds great, this cover would have been better suited for a future EP release. The digipak CD/DVD version of Kairos includes their cover of THE PRODIGY’s “Firestarter,” and is easily one of the best tracks the band recorded during the Kairos sessions – it’s aggressive, catchy, and the solo by Andreas is amazing. The other bonus track of the digipak version is “Point of No Return,” an aggressive song which sounds like a mix of A-Lex and Chaos A.D. Why the band chose to leave these tracks off of the normal version is an enigma, as these bonus tracks would have spruced up the album immensely.
The concepts and lyrics on Kairos are interesting and very well suited to the current incarnation of SEPULTURA. Derrick Green still does a commendable job on vocals, and Andreas puts in an amazing effort in terms of bringing back remarkable Arise-like solos throughout the entire album. Although Kairos is an above average record, most of the songs may be too slow and bland to keep the listener interested throughout the entire voyage. While some Max-era SEPULTURA purists have missed out on some great albums such as Nation and A-Lex, Kairos offers more variety and melody, but a lot less aggression and speed than the new CAVALERA CONSPIRACY. (Nuclear Blast Records)