In great news, UK/Norwegian black metallers, THE DEATHTRIP, have announced that they will release a follow up to their excellent debut album, Deep Drone Master:
“THE DEATHTRIP ALBUM 2
“Okay, a few words from the Deathtrip camp to break the silence & show we have not been swallowed up in the abyss, hah. The songs for the second album are written, and recording will commence in the next few months now. Music will follow closely in the vein of Deep Drone Master; hypnotic, repetitious and raw. It marks a further step in concept and depth, yet without deviating from the essence of the band. These are all new songs, plus maybe a re-recording of Global Exit could end up on there (which was itself originally intended for Deep Drone Master)……and we can safely predict no orchestras.
A pure underground gem was released in late 2014 that is mandatory for all Norwegian black metal devotees. Yup, an all-star cast brings THE DEATHTRIP to light: Host (AKA Paul Groundswell, THINE guitarist and GM of Peaceville Records), the return of Aldrahn (DODHEIMSGARD, THORNS) from a long hiatus, and THORNS mastermind Snorre Ruch as producer.
On their debut full-length, Deep Drone Master, THE DEATHTRIP carry the spirit, sound, and sense of mysterious aura of early 90’s Norwegian black metal. The influences are apparent yet this is not some retro-rehash job. Deep Drone Master is not only musically relevant for the present time, it’s better than most of the other extreme metal releases that have come out in recent years. The album also serves the great purpose of being the next best thing until the next THORNS album is eventually released.
Deep Drone Master is well-rounded while also being direct and catchy. Whether they blast through blazing melodies or hypnotize with mid-tempos, the dark, cold atmosphere is omnipresent. Riffs are brilliantly repeated for long periods of time to create this feeling of swirling chaos (i.e. “Cosmic Verdict“).
Longtime fans will find much enjoyment in not only hearing Aldrahn‘s voice again but hearing him at the top of his game. His distinct vocal style and delivery on Deep Drone Master are simply powerful.
It took years and years for the band to release this, their first full length, so if there’s any justice in life, THE DEATHTRIP will have their second album out soon. Mandatory. (Svart Records)
Norwegian black metal pioneers, DØDHEIMSGARD, has completed work on its fifth album, titled A Umbra Omega, which is set for release on March 17 via Peaceville Records.
The most exciting news surrounding the album is that original co-founding member, Aldrahn (THORNS, THE DEATHTRIP) has returned to the band.
A Umbra Omega is DHG‘s first album since 2007’s Supervillain Outcast, and undoubtedly marks the band’s most challenging work to date; twisted, technical, sprawling epics and an inverted outlook on existence from the depths of band mastermind/writer/producer, Vicotnik, with similarities drawn to previous classic DHG works such as 666 International and Satanic Art. A raw and organic production permeates the album courtesy of Vicotnik himself, with the album mastered at Strype Audio in Oslo by Tom Kvålsvoll.
In 2011, the world knows and reveres legendary Norwegian black metal bands such as EMPEROR, MAYHEM, IMMORTAL, and SATYRICON. But where’s the love for the seminal Norwegian band that helped to spur the creative explosion of the 90’s black metal scene?
Formed in 1989, STIGMA DIABOLICUM, which would later be named THORNS, helped to pioneer the cold, black atmospheres and riffing style that would become synonymous with the label “Norwegian black metal.” The band only have two official releases, which include the godly self-titled album from 2001 and the equally stimulating 1998 collaboration with EMPEROR that are both available on Satyr‘s Moonfog Productions. Prior to that the band had two demos/rehearsal tapes, Grymyrk and Trøndertun. Thankfully, the good people at Kyrck Productions released both on a limited edition release under the THORNS name entitled Stigma Diabolicum. As the side note, Kyrck Productions has put out a lot of rare demos/early releases by, now, legendary black metal bands. Check them out.
By their nature, the songs on Stigma Diabolicum are raw and unrefined in their production values, performance, and songwriting. But man, you can hear and feel the birth of a new sound in these songs. Plus, it’s so easy to hear how influential this band was when you compare it to what followed. One of the most obvious homages can be found in DISSECTION‘s “Where Dead Angels Lie” by way of THORNS‘ “Aerie Descent.”
If you can get your hands on this limited compilation, do not hesitate.