Polish legends VADERhave enteredHertz Studio in Bialystok, Polandto recordtheir twelfth studio album, TIBI ET IGNI. The Wies?awski Brothers, Wojtek and Slawek, will share duties at the production helm.
“VADERMANIAX!!!! The next chapter, a new bible for all those hungry for extreme massacre and dark challenges is called: TIBI ET IGNI,” states VADER mainman Peter W. “Translated from Latin, this pretty symbolic title is ‘For You (and only You) and Fire.’ Ten songs + bonuses are in the plans to be created. We’ll record all of these bloody tracks of new incarnations. Today we’re calibrating the heavy weapon for James [Stewart, drummer], so his drumming can your blow heads off your necks. More details soon. Will we set anxiety in your minds? We’ll film the recording process to show the whole thing in a while. Of course, we’ll keep you informed about each next step in recordings regularly. STAY ALERTED!!!!”
One of the coolest death metal debut albums in recent years, gets the live treatment with Living Flesh. Band mastermind Nader Sadek gathered together his core recording line up of Steve Tucker (ex-MORBID ANGEL), Rune Eriksen (AVA INFERI, ex-MAYHEM), and Flo Mounier (CRYPTOPSY) along with Novy (ex-VADER, BEHEMOTH, DIES IRAE), Sean Frey, and Carmen Simoes. Do not mistake this for being just another live recording. Living Flesh is a special CD & DVD/Blu-ray live recording with a presentation and execution unlike any other live metal album.
Visually, Nader Sadek did a great job in creating a unique, artistic stage set up, complete with a throne, emaciated branches over the monitors, and Flo Mounier‘s drumkit in the audience facing the stage.
Soundwise, the production is immaculate. Warm tones, crystal clear drums, and great balance bring the performance to life. The whole band is on top of the game and one just help but wonder what this line-up could do on another NADER SADEK studio album. Lead guitarist Sean Frey does a great job in shredding every which way throughout the set.
Taken all the together, the eerie, melancholic, and slithering death metal of NADER SADEK comes to life and sounds infinitely better than In the Flesh. In many ways, Living Flesh demonstrates that NADER SADEK embodies what makes death metal so unique and special. Don’t miss out on one of the best new bands to emerge in years. Highly recommended. (self-released)
2011 was a very productive and enjoyable year for extreme music, perhaps the best in years. Thus, it was not an easy task choosing what we enjoyed best since they were just so many. 2011 also gave us unforgettably bad albums by LOU REED and METALLICA, flops by THE HAUNTED as well as controversial ones by MORBID ANGEL.
We look forward to another strong year in 2012 in which we will celebrate our 10 years online. Cheers for all of your support in 2011! Radikult!! Continue reading →
NADER SADEK, the supergroup featuring Steve Tucker (ex-MORBID ANGEL), Rune Eriksen (AVA INFERI, AURA NOIR, ex-MAYHEM), and Flo Mounier (CRYPTOPSY) have announced their first live appearance. The band will be performing their debut, In the Living Flesh, on November 20th, 2011 (8:30pm – 10:00pm) at Santos Party House (96 Lafayette St. New York, NY). Admission is free.
Novy (ex-VADER/ex-BEHEMOTH) will be playing bass as well as newcomer Sean Frey on lead guitar and a surprise female vocalist.
With stage design that resembles a Wagnerian Opera, band mastermind Nader Sadek seeks to take the death metal experience to new heights, as he is set to perform the new album In the Living Flesh live in its entirety alongside the production team behind the album. Upon entering the space, the audience is invited to view all of Sadek’s works on and off the stage, each attendee will be given “pamphlet” describing the evenings 3 acts. People can expect more than several props which are recognizable from Sadek‘s recent videos, such as glowing sulfuric crystals, caves, thrones, and a “elaborate setup for the drums.” The show will feature a lengthy overture by a masked surprise female vocalist performing inside a mirrored cube, guitarists enveloped by a web of vines and more. Conceptually, the theme behind the album, will manifest itself in the live setting, petroleum, man’s greatest discovery and tragedy will embrace the composition of the visual and aural assault. The performance will also be filmed live.
On Novy‘s involvement, Sadek says:
“What can i say? Of all the bands Novy has played in, the albums he is on are undisputedly my favorite. Coincidence? I think not. Bass is a very underrated, yet very important instrument, it can change the feel of a song entirely. It is definitely an important factor that Novy is also a songwriter, and understand the importance of composition within the structure of a song. His compositions within DIES IRAE are very impressive. I’m excitedly to welcome Novy to the flesh!”
“Ladies And Gentleman.
“My name is Novy ,and I’m proud announce for you – I play with Nader Sadek. It’s a pleasure to play with great musicians in an amazing project like ‘In the Living Flesh.’ Listen to the new album and this project , feel this energy and emotion and…Move your black hearts to Nader Sadek‘s show on the 20th of November at Santo’s in New York City
Usually by the ninth album, a band is woefully in decline with no signs of regaining past glories. Thankfully, that is not the case with VADER. First things first, Welcome to the Morbid Reich is the best VADER album since 2002′s Revelations. When I say “best,” I mean that in every way possible.
Let’s discuss some of the highlights.
The album is solid from top to bottom. Gone are the less strong songs that have hindered the last few VADER albums.
Now departed drummer Pawe “Paul” Jaroszewicz‘s drum performance is absolutely excellent. So clean, so fast, and the barrage of fills perfectly compliments the guitars/bass.
Welcome to the Morbid Reich has the fastest blast beats in VADER history. It may be hard to believe but it’s true given the fact that VADER is one of the fastest bands out there. See “Come and See My Sacrifice.”
Perhaps for the first time in the band’s history, there is melody. While these melodic parts do not last long, they poignantly add color and an extra dimension to Welcome to the Morbid Reich.
Off the rails, SLAYER-style guitar solos have always been a mainstay in VADER‘s repertoire but this album has many of the tastiest and best written solos in their catalogue.
There is double tracking of vocals on certain song parts with mainman Piotr singing with his usual vocals along with his higher vocals (i.e. DEICIDE) that adds a nice touch. Fans will be wondering why in the world he didn’t chose to include his higher vocals much earlier in the band’s history.
Welcome to the Morbid Reich has got the songs, the new dimensions in sound, and just that ripping and blasting style that only VADER can play. Hail the godfathers of Polish death metal! (Nuclear Blast Records)
Two new songs from VADER‘s new album, Welcome to the Morbid Reich, have been posted online here. If these two songs, “Decapitated Saints” and “Come and See My Sacrifice,” don’t excite you about the album, then maybe this isn’t for you.
Welcome to the Morbid Reich comes out September 13th via Nuclear Blast Records.
Webster Hall has long been known for bringing in mainstream acts and hosting lavish dance parties, but fortunately for the metal faithful, who crammed in to the small darkened recesses of the joint (The Studio) there would be none of that as one of New York’s longest standing underground legends IMMOLATION played a rare NYC club date as the band prepares for their tour with VADER.
Upon arriving in the dark basement of Webster Hall, I witnessed openers DISMA, a last second addition to the show. Featuring ex-members of INCANTATION, and members from a slew of veteran underground bands, I had high expectations for the band, but sadly the performance and overall delivery was a bit bland. The sound didn’t help matters as it was pretty blurry and wasn’t particularly powerful. The band offered slow, plodding material much in the vein of INCANTATION and our evening’s headliners, but the songs weren’t especially memorable, and the heat of the venue only made the performance that much more sluggish.
Following up after DISMA came the sleek, polished sounds of ARSIS. Upon graduating from delivering DEATH-inspired material, Jim Malone and company have since opted to lift the shredding skills of CHILDREN OF BODOM, (as heard on their new album Starve for the Devil) making them an oddball choice for this show. After nearly dozing off several times during the previous set, the band’s hyper active noodling and busy fret work actually lifted the energy mode a bit. They had several of their fans out there pumping their fists with great enthusiasm as the band delivered several of their numerous crowd motivating anthems. IMMOLATION fans weren’t as easily sold, but begrudgingly declined to taunt the band of fret burners. The sound was also bad for them making it difficult for their songs to really cut through, but the band soldiered on well enough.
Finally the hometown (by way of Yonkers) heroes arrived unleashing “The Purge” from their latest effort, Majesty and Decay, before releasing spot on renditions of Unholy Cult and World Agony. Fortunately, the sound was finally crystal clear and cut through with great clarity as Bob Vigna‘s guitar acrobatics, disjointed, dissonant riffs and leads squeezed the life of any Christian foolish enough to venture in the vicinity. Bill Taylor‘s riffage perfectly complemented Vigna‘s organized chaos with an underlying crunching drive, and octopus-like drummer Steve Shalaty‘s intricate complex drum patterns kept the rhythm alive and pounding. Let’s not forget Ross Dolan‘s bludgeoning bass lines and throat scraping growls eithe, as the frontman was menacing throughout the set, but equally humble when expressing gratitude towards the fans for their 25 years of support. IMMOLATION focused a decent amount of time on tracks from their killer new Majesty and Decay album, delivering the title track as well as “A Glorious Epoch.” Classics from the band’s substantial catalog were brought out for the occasion as well, including “Burial Ground” from their debut, and “Father You’re Not a Father” from Close to a World Below. The band mixed and matched various tracks from their extensive discography before closing it out with a blistering version of “Passion Kill.” Another convincing performance from these death metal greats, easily wiping away much of the shred-first songs later mentality of most of the new death metal acts out these days in one quick and deadly blow. If you couldn’t make it out for this one, make sure to catch them on their tour with label mates VADER later on in the Fall for a textbook performance in death metal ass-kicking.
IMMOLATION will be heading out on a headlining tour with support from VADER, ABIGAIL WILLIAMS, LECHEROUS NOCTURNE, and PATHOLOGY.
9/29 Baltimore, MD – Sonar
9/30 Farmingdale , NY – Crazy Donkey
10/1 Providence, RI – Club Hell
10/2 Manchester , NH – Rocko’s
10/3 Montreal, ON – Foufounes Electriques
10/4 Toronto, ON – MOD Club
10/5 Cleveland, OH – Peabody’s
10/6 Detroit, MI – Blondie’s
10/7 Milwaukee, WI – The Rave
10/8 St Paul , MN – Station4
10/10 Seattle, WA – El Corazon
10/11 Vancouver, BC – Rickshaw Theater
10/12 Portland, OR – Hawthorne Theater
10/13 San Francisco, CA – DNA Lounge
10/14 West Hollywood, CA – The Whiskey
10/15 Santa Ana ,CA – The Galaxy
10/16 Ramona , CA – Ramona Mainstage
10/17 Mesa, AZ – U.B.’s
10/18 Tucson, AZ – The Rock
10/20 Austin, TX – Emo’s
10/21 Houston, TX – The Warsaw
10/22 Tulsa, OK – Marquee
10/23 Louisville, KY – Uncle Pleasants
10/24 Raleigh, NC – Volume 11
10/25 Springfield, VA – Jaxx
10/26 Rochester, NY – Montage Music Hall
10/27 Indianapolis, IN – Emerson Theatre
10/28 Chicago, IL – Reggie’s Rock Club
It’s that time where we take a look back on the year as 2009 comes to a close. So we, the APESHIT goons, asked ourselves, what albums moved us, kicked our asses, and reminded us of why we love metal (and music)? Read on for our top albums of 2009… Continue reading →