STAROFASH (formerly STAR OF ASH) dropped a surprisingly delicious debut album in 2001’s Iter.Viator. Curiously, one wondered if the group, spearheaded by Ihriel (PECCATUM, HARDINGROCK, and wife of EMPEROR’s Ihsahn), could follow-up with equal creative magic. With The Thread, STAROFASH may not have matched Iter.Viator’s spontaneous excellence, but does succeed with equally unique musical styling and pleasing consistency. The Thread’s dark, avant-garde, gothic rock is a slight departure from Iter.Viator, which was more heavily dressed with electronic influences. This time around, STAROFASH’s sound is more organic provided by a more prominent bass guitar, less programmed sounding percussion, and even brass, woodwind, and stringed instruments (perhaps a HARDINGROCK influence). The music primarily revolves around Ihriel’s simple and melodic piano and keyboard work. Her voice, still breathy and delicate, finely contributes to the post-metal, gothic overtones. Though her singing style is relatively singular, her vocal presence is just enough and never is overdone. Ihriel is also joined by vocal talent, Garm (Kristoffer G. Rygg) of ULVER/HEAD CONTROL SYSTEM, who lends very magnificent vocal melodies on “Blood Bones and Skull” and “Crossing Over.” In fact, the vocal patterns on “Crossing Over” by both Ihriel and Garm are incredibly strong and memorable, let’s hope this isn’t the last collaboration between the two. All around, The Thread is a fantastic soundtrack that may not immediately strike within, but certainly grows with lasting effectiveness. No doubt, the world needs to expose themselves to the uniqueness that is STAROFASH. (Candlelight/Mnemosyne)