TURBONEGRO – Sexual Harassment

Sexual Harassment marks the beginning of a new era for TURBONEGRO with new vocalist, Tony Sylvester AKA Duke of Nothing.  Replacing a long time frontman is never an easy task, especially a charismatic one like Hank von Helvete.  The band made a wise decision in recruiting a vocalist that is fresh and different as opposed to a Hank clone.  Having said all that, the Duke of Nothing‘s rougher, rawer vocals gives TURBONEGRO a different feel and a bit of an edge.

Also important to mention is the recording debut for drummer Tommy Manboy, who arguably gives the best drumming performance on any TURBONEGRO album thus far on Sexual Harassment.  His style is subtle yet very musical as he fills the songs with plenty of great fills and unassuming embellishments.

Fans will be happy to know that Sexual Harassment is just solid. The focus, execution, and balls out enthusiasm that we expect from TURBONEGRO are all there.  Great riffs, clever lyrics, catchy vocal lines, and an excellent production also help make it a winner.  Stylistically, the album focuses mainly on the band’s 60’s/70’s rock influences (i.e. the STONES) and TURBONEGRO‘s raw and uglier deathpunk sound.

There are plenty of highlights on Sexual Harassment. The band come out with lots of energy with driving opener, “I Got a Knife,” and “Hello Darkness.”  By the time third track, “Shake Your Shit Machine,” comes on, longtime fans will feel more than comfortable and in the groove.  The main verse riff and bridge section on “Dude Without a Face” are just so nice and dark.  The best song on the album is by far the dynamic and soulful “Rise Below.”

At the end of the day, TURBONEGRO prove that they are still going strong and are as relevant as they always were.  The train keeps rolling.  (Volcom Entertainment)

APESHIT’s Top Metal Albums of 2011

2011 was a very productive and enjoyable year for extreme music, perhaps the best in years. Thus, it was not an easy task choosing what we enjoyed best since they were just so many. 2011 also gave us unforgettably bad albums by LOU REED and METALLICA, flops by THE HAUNTED as well as controversial ones by MORBID ANGEL.

We look forward to another strong year in 2012 in which we will celebrate our 10 years online. Cheers for all of your support in 2011! Radikult!!
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When Hank von Helvete abruptly and quietly quit Norwegian death punk gods TURBONEGRO in 2010, it shocked and saddened fans. And with the same suddenness he is back with a new band, DOCTOR MIDNIGHT & THE MERCY CULT. This super group also features ex-members of APOPTYGMA BERZERK, CADAVER, EXTOL, KMFDM, and MARILYN MANSON. Their sound is straight up metal with a mean, dark, and brooding edge.

It doesn’t take much to discern that the theme of I Declare: Treason deals with very personal issues such as betrayal, disillusionment, revenge, misunderstandings, redemption, and broken relationships. There’s no doubting that Hank is singing from the heart.

I Declare: Treason is quite diverse in its metal riffing. It’s a seamless blend of classic and contemporary thrash, death metal, and black metal that doesn’t seek to blow the listener apart with speed or heaviness. I Declare: Treason is not necessarily about being hard hitting, immediately gratifying, or extreme either. Instead the band focuses on strong riffs, hooks, muscular grooves, and spacing. Credit must certainly be given to this veteran line-up.

Hank von Helvete lays down, perhaps, his most soulful and diverse vocal performance here (i.e. “Ok (We’re Just About to Die)“). His vocal lines fit in with whatever the song calls for instead of being a one trick pony. His hardcore punk background also helps to inject some attitude that is often missing from other bands.

Taken as a whole, the album hits its stride often with some less potent songs in the mix. Stylistically, it may take some time to adjust to the band’s unique style but it’s definitely worth it. If you can get the digipak version which contains two bonus songs, go for it. I Declare: Treason is a damn good debut album that may be one of the year’s best releases. They got the snarling attitude and the songs to back it up. (Season of Mist)