Former BATHORY drummer turned film and music video director, Jonas Åkerlund, is set to direct the film based on the 1998 book, Lords of Chaos, which covered MAYHEM‘s history and the infamous deaths and church burnings in Norway in the early 90’s. The book is interesting but is by no means the be all end all of that era of the Norwegian black metal scene.
Rolling Stone spoke with MAYHEM co-founder/bassist Necrobutcher to get his reaction to the announcement:
“This book Lords of Chaos is fucking crap and that some stupid Swedes are gonna make a movie out of it is not OK…I will do everything I can to stop this film…. Tell the Swedes and the Hollywood people to go fuck themselves.”
You gotta love Necrobutcher.
Before SIGH decided to become an avant-garde and unorthodox extreme metal band, they were an excellent up and coming black metal band from the Far East – a unique band from Asia who drew the interest of MAYHEM’s Euronymous and his label Deathlike Silence Productions. The direction of Scorn Defeat paved the way for SIGH classics such as Infidel Art and Ghastly Funeral Theatre before they ditched the traditional black metal sound.
The first part of the disc is the Scorn Defeat album proper, and epic songs like “A Victory of Dakini,” “Weakness Within,” and “Taste Defeat” still sound as refreshing as they were the first time around. Some VENOM covers and rough tracks from the Requiem for Fools EP and split with KAWIR are also featured on here. The gem of this reissue however, are the Desolation and Tragedies demos, which showcase SIGH in their raw and promising form. Since the demos are rare and almost impossible to find, this is a great addition for SIGH fans of any era.
Scorn Defeat still holds up well in this day and age of digital recording and over-compressed guitars. Unlike 99% of reissues, this one isn’t just repackaged with two live tracks and new liner notes, or a simple remastering of the same songs – this release actually contains listenable substance that matters. This reissue clocks in at 105 minutes, so fans who already own the original won’t feel cheated for picking this one up again. (Deepsend Records)
Not too many bands define the term, “cult band,” like Japan’s SIGH. Born in April of 1990, the band started off playing traditional black metal and then blossomed into a true musical force with classic cult albums such as Hail Horror Hail and Scenario IV: Dread Dreams. Uncredited by the informed, SIGH were one of the first pioneers who combined multiple genres of music (classical, jazz, rock, blues, psychedelia, doom, etc.) into their off the wall and totally unique metal sound. After paying their dues on several labels, the band found a true home in The End Records and released their over-the-top classical/black metal album, Hangman’s Hymn, as well as a VENOM tribute album. APESHIT spoke to mainman Mirai Kawashima during their recent U.S. tour to give our readers a glimpse into one of underground metal’s most unique bands.