MANIMALISM‘s self titled debut is an anachronism of sorts. While the band wrote the album’s material during the span of 1993 to 1999, things did not come together until now. MANIMALISM is never cited as being part of the Norwegian black metal wave that took the world by storm due to their low-key status. The band’s most well known member is guitarist Kim Solve of Trine + Kim Design Studio, who has designed artwork for ULVER, SOLEFALD, and THE WRETCHED END.
Using VED BUENS ENDE, FLEURETY, and recent MAYHEM as reference points, MANIMALISM walk on the strange, eclectic side of Norwegian avant garde metal. The ominous ringing of clean guitars and discordant time signatures meld with heavy, palm muted riffing juxtaposed with crooning vocal stylings. There is a feeling of being dragged away to the twilight zone.
Not only are the individual performances excellent, the live recording-like production make the album a great listening experience. The drumming crashes and bashes with seemingly unexpected yet perfectly timed flurries. The guitar crunch and clean guitar tones are immaculate. For example of great bass playing, check out the awesome basslines on “The Dandified and the Devilfish.”
Ironically, opener “Demons in Tuxedos” may be the weakest song on Manimalism. The vocal lines on the chorus are a tad sour. However, Manimalism gets meatier, weirder and more compelling as the tone gets stranger and more unsettling. Fourth track, “Romance,” may be the best song with the band use the dynamic of pockets of silence to great effect. Everything comes together with its ghostly eeriness.
MANIMALISM is wholly unique and thus, fits perfectly into Norwegian avant garde metal universe. (Adversum)
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